SIN CITY:THAT YELLOW BASTARD #6 – Librería Pública

SIN CITY:THAT YELLOW…

Dark Horse

.

1996

.

Frank Miller injected noir grit and moral ambiguity into American comics, reshaping superheroes and action genres alike. With landmark works like The Dark Knight Returns, Daredevil: Born Again, and Sin City, he introduced cinematic pacing, hardboiled narration, and stark chiaroscuro visuals. Miller’s reimagining of Batman influenced decades of storytelling, while 300 and Ronin pushed formal and thematic boundaries. Though polarizing, his bold, uncompromising style helped elevate comics to new artistic heights, merging pulp influences with formal innovation. Miller’s impact is foundational, leaving an unmistakable mark on both the medium and its place in pop culture.

Frank Miller

Dark Horse

76156894787

48

English

1996

paperback/ 26 x 17 cm

1996 Comic Dark Horse

The gripping conclusion to Frank Miller’s noir masterpiece, “Sin City: That Yellow Bastard #6,” follows ex-cop John Hartigan as he confronts the grotesque Roark Junior to save Nancy Callahan. In this climactic issue, Hartigan battles corruption and his own failing health, leading to a brutal showdown that tests his resolve and morality. Miller’s stark black-and-white artwork, punctuated by the sickly yellow of the antagonist, intensifies the narrative’s dark themes. Published by Dark Horse Comics in July 1996, this issue exemplifies the gritty storytelling and stylistic innovation that define the “Sin City” series.

Frank Miller

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SIN CITY:THAT YELLOW BASTARD #6

Dark Horse

.

1996

.

Frank Miller

paperback/ 26 x 17 cm

76156894787

English

48

Frank Miller injected noir grit and moral ambiguity into American comics, reshaping superheroes and action genres alike. With landmark works like The Dark Knight Returns, Daredevil: Born Again, and Sin City, he introduced cinematic pacing, hardboiled narration, and stark chiaroscuro visuals. Miller’s reimagining of Batman influenced decades of storytelling, while 300 and Ronin pushed formal and thematic boundaries. Though polarizing, his bold, uncompromising style helped elevate comics to new artistic heights, merging pulp influences with formal innovation. Miller’s impact is foundational, leaving an unmistakable mark on both the medium and its place in pop culture.

The gripping conclusion to Frank Miller’s noir masterpiece, “Sin City: That Yellow Bastard #6,” follows ex-cop John Hartigan as he confronts the grotesque Roark Junior to save Nancy Callahan. In this climactic issue, Hartigan battles corruption and his own failing health, leading to a brutal showdown that tests his resolve and morality. Miller’s stark black-and-white artwork, punctuated by the sickly yellow of the antagonist, intensifies the narrative’s dark themes. Published by Dark Horse Comics in July 1996, this issue exemplifies the gritty storytelling and stylistic innovation that define the “Sin City” series.