THE DEATH-RAY
Drawn&Quarterly

.

2001

.

Daniel Clowes crafts stories of alienation, absurdity, and fragile identity with a tone both sardonic and deeply human. Known for Ghost World, David Boring, and Eightball, his work dissects suburban disaffection and postmodern ennui through meticulously controlled visual storytelling. Clowes’ style merges formal experimentation with psychological nuance, often blending satire, nostalgia, and melancholy in ways that feel timeless. A central figure in 1990s alternative comics, his influence extends into film, design, and literary fiction. Revered for his precision and emotional honesty, Clowes remains one of the most quietly radical voices in the medium.

Daniel Clowes
Drawn&Quarterly
978-1770460515
48
English
2001
hardcover/ 12 x 9 cm

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The Death-Ray by Daniel Clowes is a graphic novel that subverts traditional superhero narratives through the story of Andy, a teenage outcast in 1970s Chicago. Orphaned and living with his grandfather, Andy discovers that smoking cigarettes grants him superhuman strength. His only friend, the brash and manipulative Louie, convinces him to adopt a vigilante persona. Their exploits take a darker turn when Andy inherits a “death ray” capable of disintegrating objects and people. The narrative oscillates between Andy’s youth and his middle-aged self, exploring themes of power, alienation, and moral ambiguity. Clowes employs a non-linear storytelling approach, enriched by his distinctive illustrative style, to delve into the psyche of a protagonist who grapples with the consequences of wielding unchecked power. The novel challenges readers to reflect on the ethical complexities inherent in the superhero genre. Daniel Clowes, D+Q, 2001 Drawn&Quarterly 978-1770460515 Daniel Clowes 2001

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THE DEATH-RAY

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2001

.

Daniel Clowes
hardcover/ 12 x 9 cm
978-1770460515
English
48

Daniel Clowes crafts stories of alienation, absurdity, and fragile identity with a tone both sardonic and deeply human. Known for Ghost World, David Boring, and Eightball, his work dissects suburban disaffection and postmodern ennui through meticulously controlled visual storytelling. Clowes’ style merges formal experimentation with psychological nuance, often blending satire, nostalgia, and melancholy in ways that feel timeless. A central figure in 1990s alternative comics, his influence extends into film, design, and literary fiction. Revered for his precision and emotional honesty, Clowes remains one of the most quietly radical voices in the medium.

The Death-Ray by Daniel Clowes is a graphic novel that subverts traditional superhero narratives through the story of Andy, a teenage outcast in 1970s Chicago. Orphaned and living with his grandfather, Andy discovers that smoking cigarettes grants him superhuman strength. His only friend, the brash and manipulative Louie, convinces him to adopt a vigilante persona. Their exploits take a darker turn when Andy inherits a “death ray” capable of disintegrating objects and people. The narrative oscillates between Andy’s youth and his middle-aged self, exploring themes of power, alienation, and moral ambiguity. Clowes employs a non-linear storytelling approach, enriched by his distinctive illustrative style, to delve into the psyche of a protagonist who grapples with the consequences of wielding unchecked power. The novel challenges readers to reflect on the ethical complexities inherent in the superhero genre. Daniel Clowes, D+Q, 2001 Drawn&Quarterly 978-1770460515 Daniel Clowes 2001